Romanesque crucifixes often show a royal crown upon Christ’s head, but later Gothic types replaced it with a crown of thorns. Subsequently, Western portrayals of the Crucifixion, whether painted or carved, exhibited an increasing finesse in the suggestion of pain and agony.
By the 9th century, however, artists began to stress the realistic aspects of Christ’s suffering and death. The earliest crucifixes (crosses containing a representation of Christ) depict Christ alive, with eyes open and arms extended, his Godhead manifest, even though he is pierced and dead in his manhood.
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